› A moving into writing score by Zoe Poluch and Cara Tolmie.<\/p>\n\n\n\n
› A one-room, two-person, three-step artistic research practice.<\/p>\n\n\n\n
› An impromptu choreography, an expanded writing practice, a performance experience, and a process of documentation.<\/p>\n\n\n\n
› The composer conducts\/generates\/performs a choreography specifically for the senses of the other person. This is a spontaneous choreography, of an undetermined duration. It can involve any and every combination of object and\/or sensorial experience and is intended to stimulate the feeling, seeing, smelling, hearing, and tasting senses of the receiver.<\/p>\n\n\n\n
› The receiver accepts\/admits\/experiences the choreography and commits to memorizing\/documenting\/recording the entire composition as it is happening.<\/p>\n\n\n\n
› The receiver writes immediately after experiencing the composition. They write from an entirely subjective perspective and try to transcribe\/document\/translate\/record as much of the concrete\/potential\/hypothetical sensations\/associations\/experiences as they can recall.<\/p>\n\n\n\n
› The composer may choose to play music in the room as the receiver writes.<\/p>\n\n\n\n
› The receiver reads their text composition out loud to the room (preferably into a microphone).<\/p>\n\n\n\n
› Switch roles and repeat as often as desired.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u203a A moving into writing score by Zoe Poluch and Cara Tolmie. \u203a A one-room, two-person, three-step artistic research practice. \u203a An impromptu choreography, an expanded writing practice, a performance experience, and a process of documentation. One \u203a The composer conducts\/generates\/performs a choreography specifically for the senses of the other person. This is a spontaneous […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2,5],"tags":[215,231,232,242],"class_list":["post-82","post","type-post","status-publish","format-standard","hentry","category-somatics-embodiment-and-subjectivity","category-writing-and-languaging","tag-choreography","tag-documentation","tag-memory","tag-senses","types-score"],"acf":[],"_links":{"self":[{"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/posts\/82","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/comments?post=82"}],"version-history":[{"count":15,"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/posts\/82\/revisions"}],"predecessor-version":[{"id":2613,"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/posts\/82\/revisions\/2613"}],"wp:attachment":[{"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/media?parent=82"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/categories?post=82"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nivel.teak.fi\/adie\/wp-json\/wp\/v2\/tags?post=82"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}