{"id":1520,"date":"2026-01-15T11:04:16","date_gmt":"2026-01-15T09:04:16","guid":{"rendered":"https:\/\/dev.wrkshp.fi\/carpa\/?post_type=bios&#038;p=1520"},"modified":"2026-01-15T11:04:16","modified_gmt":"2026-01-15T09:04:16","slug":"katja-hilevaara-and-emily-orley","status":"publish","type":"bios","link":"https:\/\/nivel.teak.fi\/carpa\/bio\/katja-hilevaara-and-emily-orley\/","title":{"rendered":"Katja Hilevaara and Emily Orley"},"content":{"rendered":"\n<p><strong>Katja Hilevaara<\/strong> and <strong>Emily Orley<\/strong> are artists, researchers and teachers in London. They have been collaborating on a range of projects for the last ten years, involving performance, installation, writing and design. Previous performance installations for Brief Encounters series include <em>Oxymandias<\/em> (PSi Utrecht, 2011); <em>Ivory Towers<\/em> (Bristol, 2009); <em>Opiate<\/em> (London, 2008); <em>Narcissus<\/em> (London, 2008); <em>Lusikka<\/em> (Manchester, 2007); and <em>Teippi<\/em> (London, 2007). They also worked together to adapt Tove Jansson\u2019s Summerbook to the stage with artist <strong>Rajni Shah<\/strong> (South East Arts Council commission, 2005); and collaborated on a devised performance, <em>Napoleon in Exile<\/em> (Edinburgh and London, 2003). They presented a performance paper \u201cPlace as a remembering process: a conversation about making and breaking images\u201d at PSi Utrecht (2011).<\/p>\n","protected":false},"template":"","class_list":["post-1520","bios","type-bios","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/nivel.teak.fi\/carpa\/wp-json\/wp\/v2\/bios\/1520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nivel.teak.fi\/carpa\/wp-json\/wp\/v2\/bios"}],"about":[{"href":"https:\/\/nivel.teak.fi\/carpa\/wp-json\/wp\/v2\/types\/bios"}],"wp:attachment":[{"href":"https:\/\/nivel.teak.fi\/carpa\/wp-json\/wp\/v2\/media?parent=1520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}