{"id":2024,"date":"2026-01-13T11:56:49","date_gmt":"2026-01-13T09:56:49","guid":{"rendered":"https:\/\/dev.wrkshp.fi\/carpa4\/?post_type=bios&#038;p=2024"},"modified":"2026-01-13T12:02:46","modified_gmt":"2026-01-13T10:02:46","slug":"lindsey-drury","status":"publish","type":"bios","link":"https:\/\/nivel.teak.fi\/carpa4\/bio\/lindsey-drury\/","title":{"rendered":"Lindsey Drury"},"content":{"rendered":"\n<p><strong>Lindsey Drury<\/strong> is a dance artist and body studies scholar. She is from New York City and presents her work internationally. Major artistic projects include a collaboration performance called <em>Against Forensics<\/em> with Johanna Gilje (2016), the large-scale sculptural dance <em>Vesna\u2019s Fall<\/em> (2012\u20132014), the opera <em>Any Size Mirror<\/em> is a <em>Dictator<\/em> (2012\u20132014), and the solo performance <em>Aftermath<\/em> (2014). She has performed in the works of Ellen C. Covito and Yvonne Meier, amongst others. Drury also founded the feminist organization No Wave Performance Task Force (2012), and burgeoned a performance genre called Post-Dance (2013) for the Brooklyn International Performance Art Festival. During her presentation at CARPA 4, Lindsey was a MA student at the Graduate Center of the City University of New York.<\/p>\n","protected":false},"template":"","class_list":["post-2024","bios","type-bios","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/nivel.teak.fi\/carpa4\/wp-json\/wp\/v2\/bios\/2024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nivel.teak.fi\/carpa4\/wp-json\/wp\/v2\/bios"}],"about":[{"href":"https:\/\/nivel.teak.fi\/carpa4\/wp-json\/wp\/v2\/types\/bios"}],"wp:attachment":[{"href":"https:\/\/nivel.teak.fi\/carpa4\/wp-json\/wp\/v2\/media?parent=2024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}