{"id":238,"date":"2022-03-09T11:01:58","date_gmt":"2022-03-09T09:01:58","guid":{"rendered":"https:\/\/nivel.teak.fi\/carpa7\/?p=238"},"modified":"2022-10-04T10:18:04","modified_gmt":"2022-10-04T07:18:04","slug":"servant-is-now-but-what-was-my-name","status":"publish","type":"post","link":"https:\/\/nivel.teak.fi\/carpa7\/servant-is-now-but-what-was-my-name\/","title":{"rendered":"Servant is now."},"content":{"rendered":"\n
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I do have some dim conception at the outset, one distantly related to what I am looking for, if I boldly make a start with that, my mind, even as my speech proceeds, under the necessity of finding an end for that beginning, will shape my first confused idea into complete clarity so that, to my amazement, understanding is arrived at as the sentence ends. <\/p>(On the Gradual Production of Thoughts Whilst Speaking, Heinrich von Kleist)<\/cite><\/blockquote>\n\n\n\n

Maria Fusco will present and discuss the experimental writing methodologies active in her new eleven-channel sound work, Mollspeak. The generative piece, made in collaboration with French composer, Olivier Pasquet, changes infinitely, meaning that a listener never experiences the same thing twice. Bringing the working-class voices of servants, as a kind of subversive subservience, into a museological context through archival research, ambient object writing and 3D sound scans, she will examine how socio-cultural concerns, which are acting as subject, can at the same time structure how a work of writing is produced through active listening. The work\u2019s title is taken from an eighteenth-century phrase, mollspeak, that some British employers coined to mock their servants\u2019 dialectical speech.<\/p>\n<\/div><\/div>\n\n\n\n

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