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(12)

By sari On 28/10/2014 · Add Comment · In
We received written feedback from fourteen audience members through email. These excerpts are from this feedback and have been translated from Finnish into English by me. The overall project fostered feedback in other forms as well: There are the written and drawn comments on of the feedback wall of the installation. The audience discussion after [...]
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(11)

By sari On 28/10/2014 · Add Comment · In
For further information on these instruments that have been set up in different locations see Antti Nykyri’s website at www.anttinykyri.com/portfolio/prod_sound_sources.html.
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(10)

By sari On 28/10/2014 · Add Comment · In
We asked each other among other things the following kinds of questions: “What was challenging today?”, “What did you become aware of today?”, “Where there moments when you surrendered to your body or you surroundings? Describe them.”, “Describe one perception you made of the environment, me or your own body.” “What kind time, space and [...]
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(7)

By sari On 28/10/2014 · Add Comment · In
Indeed, dramaturgy has evolved into an influential sub-discipline in dance and choreographers often rely on dance dramaturges in constructing performances. Liesbeth Wildshut (2009) explores the role of the dance dramaturge as an ally for the choreographer. She notes that the professionalization of dance dramaturgy is gaining impetus with e.g. the Utrecht University now offering MA [...]
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(6)

By sari On 28/10/2014 · Add Comment · In
In addition, post-Reichian therapists have adopted some of his ideas while changing and developing others that are now considered dated. According to body psychotherapist and theorist Nick Totton (2008), what most agree upon is the importance of awareness of and surrender to bodily sensations and emotions, while downplaying Reich’s emphasis on sexuality. Many also question [...]
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(5)

By sari On 28/10/2014 · Add Comment · In
Many of the currently practiced and recently developed forms of body psychotherapy are in some manner or another indebted to Wilhelm Reich (1897–1957). He took Sigmund Freud’s argument that our psychic life is rooted in our bodies seriously, developed a psychoanalytic method that observed the body’s expression and finally endorsed bodywork as a therapeutic tool [...]
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(4)

By sari On 28/10/2014 · Add Comment · In
This is dance training, pedagogy and art that is related to what is variously termed somatics, somatic studies, or somatic education (Bateson 2009). The terms denote a field of study and movement practices, which combine different learning methods to foster awareness of the body within its environment. Some of the general goals of the related [...]
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(3)

By sari On 28/10/2014 · Add Comment · In
The production was supported by the Training Theatre and Performing Arts Research Centre of the Theatre Academy Helsinki as part of the artistic research project that I am conducting in the institution as an Academy Research Fellow. Here I cannot go into the details of the production support, but we had a small budget, technical [...]
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(2)

By sari On 28/10/2014 · Add Comment · In
Obviously, these questions are approached in different ways and degrees of explicitness as well as for different reasons in the two fields.
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(1)

By sari On 28/10/2014 · Add Comment · In
The other members of the artistic group were asked to read and comment the text.
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