{"id":362,"date":"2020-01-13T16:24:10","date_gmt":"2020-01-13T14:24:10","guid":{"rendered":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/?post_type=glossary&#038;p=362"},"modified":"2020-01-13T16:24:10","modified_gmt":"2020-01-13T14:24:10","slug":"lampe-2002","status":"publish","type":"glossary","link":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/L\u00e4hdeluettelo\/lampe-2002\/","title":{"rendered":"Lampe 2002"},"content":{"rendered":"\n<p>Lampe, Eelka. 2002. \u201dRachel Rosenthal Creating Her Selves.\u201d\u00a0<em>Acting (Re)Considered: A Theoretical and Practical Guide,<\/em>\u00a02. p., toim. Phillip B. Zarrilli, 291\u2013304. Lontoo: Routledge.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lampe, Eelka. 2002. \u201dRachel Rosenthal Creating Her Selves.\u201d\u00a0Acting (Re)Considered: A Theoretical and Practical Guide,\u00a02. p., [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-362","glossary","type-glossary","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/wp-json\/wp\/v2\/glossary\/362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/wp-json\/wp\/v2\/glossary"}],"about":[{"href":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/wp-json\/wp\/v2\/types\/glossary"}],"author":[{"embeddable":true,"href":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/wp-json\/wp\/v2\/glossary\/362\/revisions"}],"predecessor-version":[{"id":363,"href":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/wp-json\/wp\/v2\/glossary\/362\/revisions\/363"}],"wp:attachment":[{"href":"https:\/\/nivel.teak.fi\/performanssifilosofiaa\/wp-json\/wp\/v2\/media?parent=362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}