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Outi Condit is a Helsinki-based actor/performance maker/artistic researcher with a MA in acting from the University of Tampere. Much of her work explores embodied power relations and intimacy within performative arrangements. She is currently doing her artistic doctorate on the embodied politics of the stage in the Performing Arts Research Centre, University of Arts Helsinki. […]
The anthology Poetics of form is a compilation edited and written by doctoral students, and it celebrates the past ten years at the Performing Arts Research Centre (Tutke) of the Theatre Academy of the University of the Arts Helsinki. During these years Tutke has been responsible for the research and the doctoral training at the […]
Poetics of form -antologia on tohtoriopiskelijoiden toimittama ja kirjoittama kokonaisuus, joka juhlistaa Taideyliopiston (TaiY) Teatterikorkeakoulun (TeaK) Esittävien taiteiden tutkimuskeskuksen (Tutke) kymmenvuotista taivalta. Sinä aikana Tutke on vastannut Teatterikorkeakoulussa tutkimuksesta ja tohtorikoulutuksesta, jonka keskiössä on ollut TeaKin edustamien alojen taiteellinen tutkimus. Näihin aloihin lukeutuvat tanssi- ja teatteritaide, tanssi- ja teatteripedagogiikka, esitystaide sekä valo- ja äänisuunnittelu. Tässä […]
Imagine this dialogue As a chat on Messenger As a screen-recorded script performed live on Google Docs As a dialogue floating on top of more urgent, discordant dialogues As a Java- and CSS-animated, interactive interface – Hello! – Hi! So here we are! – Writing an editorial for Nivel08: Poetics of Form. Performing Arts Research […]
Philosophy is a science that investigates being as it is being, or beings, in so far as they are beings, regarding that philosophy is metaphysics. However, the framework for philosophical practice for many contemporary thinkers does not fit in this paradigm. For instance, distinction or difference has been in dispute for contemporary philosophy from Friedrich […]
This essay introduces shifts that have been produced in my ongoing doctoral artistic research project. These shifts are formed by movements from contextual choreographic practice to atmospheric choreography, and from the practice of a choreographer to a choreoreader. My artistic research-project, which started in 2013 as Contextual Choreography has in three and half years evolved […]
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