{"id":23,"date":"2017-07-12T10:46:49","date_gmt":"2017-07-12T07:46:49","guid":{"rendered":"http:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/"},"modified":"2017-07-12T10:46:49","modified_gmt":"2017-07-12T07:46:49","slug":"glossary","status":"publish","type":"page","link":"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/","title":{"rendered":"Glossary"},"content":{"rendered":"<div class=\"cm-glossary\"><div class=\"glossary-container \"><input type=\"hidden\" class=\"cmtt-attribute-field\" name=\"glossary_index_style\" value=\"classic\">        <div class=\"progress-indicator\" style=\"display:none\">\r\n                            <img decoding=\"async\" src=\"https:\/\/nivel.teak.fi\/poetics-of-form\/wp-content\/plugins\/TooltipProPlus\/assets\/css\/images\/ajax-loader.gif\" alt=\"AJAX progress indicator\"\/>\r\n                    <\/div>\r\n\t\t<div class=\"glossary_top_filter\">\r\n\t\t\t<div class=\"left\">\r\n\t\t\t\t\t\t\t\t\t\t<div class=\"cmtt_help glossary-search-helpitem\" data-cmtooltip=\"The search returns the partial search for the given query from both the term title and description. So it will return the results even if the given query is part of the word in the description.\"><\/div>\r\n\t\t\t\t\t\t\t\t\t\t<span class=\"glossary-search-label\">Search:<\/span>\r\n\t\t\t\t\t<div class=\"glossary-search-wrapper\">\r\n\t\t\t\t\t\t\t\t\t\t\t\t<input value=\"\" placeholder=\"\" class=\"glossary-search-term \" name=\"glossary-search-term\" id=\"glossary-search-term\" aria-label=\"Search\">\r\n\t\t\t\t\t\t<button type=\"submit\" id=\"glossary-search\" class=\"glossary-search button\">Search<\/button>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<a class=\"glossary-search-clear\" title=\"Clear the input\" href=\"\">\r\n\t\t\t\t\t\t(clear)\t\t\t\t\t<\/a>\r\n\t\t\t\t\t<select name=\"cat\" id=\"glossary-categories\" class=\"glossary-categories\">\n\t<option value=\"all\" selected>All Categories<\/option>\n\t<option class=\"level-0\" value=\"3\">hug<\/option>\n\t<option class=\"level-0\" value=\"5\">kello<\/option>\n\t<option class=\"level-0\" value=\"4\">nauha<\/option>\n\t<option class=\"level-0\" value=\"6\">sera<\/option>\n<\/select>\n\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t<input type=\"hidden\" class=\"cmtt-attribute-field\" name=\"disable_listnav\" value=\"0\">\r\n\t\t<input type=\"hidden\" class=\"cmtt-attribute-field\" name=\"exact_search\" value=\"0\">\r\n\t\t<input type=\"hidden\" class=\"cmtt-attribute-field\" name=\"show_search\" value=\"1\">\r\n\t\t<input type=\"hidden\" class=\"glossary-hide-terms\" name=\"glossary-hide-terms\" value=\"0\">\r\n\t\t<input type=\"hidden\" class=\"glossary-hide-categories\" name=\"glossary-hide-categories\" value=\"0\">\r\n\t\t<input type=\"hidden\" class=\"glossary-hide-abbrevs\" name=\"glossary-hide-abbrevs\" value=\"0\">\r\n\t\t<input type=\"hidden\" class=\"glossary-hide-synonyms\" name=\"glossary-hide-synonyms\" value=\"0\">\r\n\t\t<input type=\"hidden\" class=\"glossary-perpage\" name=\"glossary-perpage\" value=\"0\">\r\n\t\t<input type=\"hidden\" name=\"tooltip_language\" value=\"\">\r\n\t\t<input type=\"hidden\" name=\"language_dropdown\" value=\"\">\r\n\t\t<input type=\"hidden\" name=\"languages_for_table\" value=\"\">\r\n\t\t<div id=\"glossaryList-nav\" class=\"listNav small\" role=\"tablist\"><\/div><ul class=\"glossaryList\" role=\"tablist\" id=\"glossaryList\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTermSet\"><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/1\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_hug\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; For a video registration of Manipulations No. 1 &amp;amp; 2 see &amp;lt;a href=&amp;quot;http:\/\/theatredanceperformancetraining.org\/2015\/11\/body-weather-manipulations-no-1-2\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;theatredanceperformancetraining.org\/2015\/11\/body-weather-manipulations-no-1-2&amp;lt;\/a&amp;gt; &lt;\/div&gt;\"><span itemprop=\"name\">(1)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/2\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_hug\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; See Joa Hug (2016), &amp;quot;Writing with practice: Body Weather performance training becomes a medium of artistic research&rdquo;, Theatre, Dance and Performance Training 7 (2), 168&ndash;189 as well as Joa Hug (2016), &amp;quot;Modes of Knowing in Body Weather Performance Training&rdquo;. In: Enderlein, Undine (ed.), Zwischenleiblichkeit und bewegtes Verstehen: Intercorporeity, Movement and Tacit Knowledge (Bielefeld: Transcript), pp. 367&ndash;380. &lt;\/div&gt;\"><span itemprop=\"name\">(2)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/3\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_hug\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; See Joa Hug (forthcoming), &amp;quot;No solutions: The research score as a medium of artistic research&rdquo;. The present piece was created on the basis of a series of six research scores that were recorded, transcribed, edited, and (re-)composed into one single track. &lt;\/div&gt;\"><span itemprop=\"name\">(3)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/4\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_nauha\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; The Real for Laruelle is not a position, e.g. as it is for Lacan in the Real-Symbolic-Imaginary type. Often, he uses the term &lsquo;One&rsquo; or &lsquo;Vision-in-one&rsquo; on equal terms with the Real, but still the Real or One do not signify something indivisible, or &lsquo;ground&rsquo; for being and beings. Laruelle also calls the Real &lsquo;radical immanence&rsquo;, which signifies the Real as being something that is radically indifferent to thought, including the philosophical thought that aims to distinguish something substantial from things. Therefore, the Real is opaque and foreclosed from thought or perceptions. At the same time, it is not void or pure nothingness, but an opaque indeterminacy which does not fit into concept of the Real, either. &lt;\/div&gt;\"><span itemprop=\"name\">(4)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/5\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_nauha\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; The double-slit or two-slit experiment was originally performed by Thomas Young in 1801, but it has become one of the key experiments illustrating the probabilistic nature of quantum mechanics, which do not follow Newtonian physics. It defines how light can display characteristics of waves and particles at the same time, or where electrons seem to have appeared at two separate positions at the same time. In relation to momentum and position in this experiment, Richard Feynman has written that in relation to the uncertainty principle of Werner Heisenberg, he &amp;quot;recognized that if it were possible to measure the momentum and the position simultaneously with a greater accuracy, the quantum mechanics would collapse&rdquo; (Feynman 2011). &lt;\/div&gt;\"><span itemprop=\"name\">(5)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/6\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_nauha\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Althusser writes on this concept, which is based on the Engels&amp;#039;s letter to Bloch in 21 September, 1890 that: &amp;quot;it is clear that we have now found a basis and an origin for this force that triumphs in the last instance: determination by the economy is no longer external to the accidents amid which it asserts itself, it is the internal essence of these accidents&rdquo; (Althusser 2005, 112&ndash;113; 121). &lt;\/div&gt;\"><span itemprop=\"name\">(6)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/7\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_nauha\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; However, Katerina Kolozova writes more in relation with Lacan that: &amp;quot;the Real is not an abstraction, an idea that stands independently, an &lsquo;out-there&rsquo; in itself. It is not a substance, but a &lsquo;status,&rsquo; as Laruelle would call it, a notion analogous to that of the &lsquo;function&rsquo; in Lacan. Similarly, Badiou insists on the role of the &lsquo;event&rsquo; (a concept analogous to that of the Lacanian Real) as that instance of the &lsquo;void&rsquo; (a singularity without linguistic content) in relation to which new discursive possibilities are created&rdquo; (Kolozova 2014, 2&ndash;3). &lt;\/div&gt;\"><span itemprop=\"name\">(7)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/8\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Deleuze writes that: &amp;quot;Thunderbolts explode between different intensities, but they are preceded by an invisible, imperceptible dark precursor, which determines their path in advance but in reverse, as though intagliated. Likewise, every system contains its dark precursor which ensures the communication of peripheral series. As we shall see, given the variety among systems, this role is fulfilled by quite diverse determinations. The question is to know in any given case how the precursor fulfils this role&rdquo; (Deleuze 2004, 145&ndash;46) &lt;\/div&gt;\"><span itemprop=\"name\">(8)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/9\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_nauha\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; See more on heretical thought in Heresy &amp;amp; Provocation (Nauha 2015). &lt;\/div&gt;\"><span itemprop=\"name\">(9)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/10\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_nauha\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Barad (2007, 295) writes that &amp;quot;Bohr&rsquo;s disagreement with Heisenberg&amp;#039;s interpretation of the mathematical expression that is known as the uncertainty principle and proposes that Bohr&rsquo;s alternative interpretation be understood as a principle in its own right, which I label the &lsquo;indeterminacy principle&rsquo;. The uncertainty principle and the indeterminacy principle are competing claims.&rdquo; &lt;\/div&gt;\"><span itemprop=\"name\">(10)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/11\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_nauha\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Niels Bohr writes on indeterminacy that: &amp;quot;the point is not that measurements disturb preexisting values of inherent properties but that properties are only determinate given the existence of particular material arrangements that give definition to the corresponding concept in question&rdquo; (Barad 2007, 261). &lt;\/div&gt;\"><span itemprop=\"name\">(11)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/12\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_nauha\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; &amp;quot;Unfortunately, in some discussions of quantum theory, the terms &lsquo;uncertainty&rsquo; and &lsquo;indeterminacy&rsquo; are used interchangeably, despite their different meanings. Throughout this book, I use these terms with distinctive meanings: while &lsquo;uncertainty&rsquo; refers to a lack of knowledge, &lsquo;indeterminacy&rsquo; refers to the state of being indeterminate (lacking definiteness). That is, uncertainty is an epistemic issue, while indeterminacy is an issue of ontology&rdquo; (Barad 2007, 424&ndash;25). &lt;\/div&gt;\"><span itemprop=\"name\">(12)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/13\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_kello\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; I studied in the Theatre Academy of Helsinki in between 1998&ndash;2003 (MA in Choreography 2003) and have worked as a professional choreographer since 2003. In my studies I embodied the idea of choreography as a writing practice, which meant that I understood &amp;quot;choreographer&rdquo; to mean a person who makes dance-pieces through mastering movement in the materiality of the trained and abled human body, following in the lineage of western dance-history. The choreographic practice took place in a production mode in which art was realized through a certain economical production mode and with the aim to construct a rehearsed dance-piece to be toured on various stages in a repetitive structural, temporal and compositional frame. This practice collapsed after working a few years professionally. Current research-project articulates the transformations that followed this collapse, some of which are still in process. &lt;\/div&gt;\"><span itemprop=\"name\">(13)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/14\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_kello\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; From the words matter, material and materiality, it is relevant in this essay to note that I choose to work with the material, because for me it resonates the immediate sensorial realm more than matter or materiality. In my artistic work the material is understood also as manifold relations between human body and surrounding circumstances. &lt;\/div&gt;\"><span itemprop=\"name\">(14)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/15\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_kello\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; The question &rsquo;how?&rsquo; the artistic projects have developed these skills and sensitivities will be analyzed in a more detailed manner in the commentary of my doctorate. &lt;\/div&gt;\"><span itemprop=\"name\">(15)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/16\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_kello\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; In this artistic starting point of reciprocity between my body and its surroundings, movements of the metabolic body (e.g breathing, circulatory system and perspiration) are taken as given everyday bodily movements. I am aware that by, for example by manipulating the breath it is possible to affect the experience of the conditions in which the body takes place, but the metabolic movement per se is not the primary focus in this project. Instead, I focus on studying movements that move my body and experience without my aim to manipulate or master the surrounding movement. &lt;\/div&gt;\"><span itemprop=\"name\">(16)<\/span><\/a><\/li><li class=\" ln-\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/17\/\" role=\"term\" class=\"glossaryLink glossary-link-title  cmtt_sera\" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; &rdquo;&amp;lt;strong&amp;gt;Big data&amp;lt;\/strong&amp;gt;&nbsp;on eritt&auml;in suurten, j&auml;rjestelem&auml;tt&ouml;mien, jatkuvasti lis&auml;&auml;ntyvien tietomassojen ker&auml;&auml;mist&auml;, s&auml;ilytt&auml;mist&auml;, jakamista, etsimist&auml;, analysointia sek&auml; esitt&auml;mist&auml; tilastotiedett&auml; ja tietotekniikkaa hy&ouml;dynt&auml;en.&rdquo; &amp;lt;a href=&amp;quot;https:\/\/fi.wikipedia.org\/wiki\/Big_data&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;fi.wikipedia.org\/wiki\/Big_data&amp;lt;\/a&amp;gt; (11. syyskuuta 2015) &lt;\/div&gt;\"><span itemprop=\"name\">(17)<\/span><\/a><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/althusser-2005\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Althusser, Louis. 2005. &amp;lt;i&amp;gt;For Marx&amp;lt;\/i&amp;gt;. Translated by Ben Brewster. London: Verso Books. &lt;\/div&gt;\"><span itemprop=\"name\">Althusser 2005<\/span><\/a><\/li><li class=\" ln-0\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/arlander-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Arlander, Annette. 2012.&nbsp;&amp;lt;em&amp;gt;Performing Landscape &mdash; Notes on Site-Specific Work and Artistic Research (Texts 2001&ndash;2011)&amp;lt;\/em&amp;gt;, Acta Scenica 28, Theatre Academy Helsinki, Edita Prima Ltd. Helsinki 2012. &lt;\/div&gt;\"><span itemprop=\"name\">Arlander 2012<\/span><\/a><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/baibulat-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Baibulat, Niran. 2016. &amp;lt;em&amp;gt;Walking writing&amp;lt;\/em&amp;gt;. Haettu 01.04.2017. &amp;lt;a href=&amp;quot;https:\/\/niranbaibulat.com\/walking-writing\/&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;niranbaibulat.com\/walking-writing&amp;lt;\/a&amp;gt; &lt;\/div&gt;\"><span itemprop=\"name\">Baibulat 2016<\/span><\/a><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/barad-2003\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Barad, Karen. 2003. &amp;quot;Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.&rdquo; &amp;lt;i&amp;gt;Signs: Journal of Women in Culture and Society&amp;lt;\/i&amp;gt; (The University of Chicago) 28 (3): 801&ndash;831. &lt;\/div&gt;\"><span itemprop=\"name\">Barad 2003<\/span><\/a><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/barad-2007\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Barad, Karen. 2007. &amp;lt;i&amp;gt;Meeting the Universe Halfway: Quantum physics and the entanglement of matter and meaning&amp;lt;\/i&amp;gt;. Durham: Duke University Press. &lt;\/div&gt;\"><span itemprop=\"name\">Barad 2007<\/span><\/a><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/barad-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Barad, Karen. 2014. &amp;lt;em&amp;gt;Diffracting Diffraction: Cutting Together-Apart&amp;lt;\/em&amp;gt;. Parallax 20 (3); original emphasis. &lt;\/div&gt;\"><span itemprop=\"name\">Barad 2014<\/span><\/a><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/benjamin-1989\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Benjamin, Walter. 1989. &amp;lt;em&amp;gt;Messiaanisen sirpaleita&amp;lt;\/em&amp;gt; (Gesammelte Schriften 1972, 1977, 1978). Suom. Raija Sironen. Toim. Markku Koski, Keijo Rahkonen &amp;amp; Reijo Sironen. Helsinki: Tutkijaliitto, Kansan sivistysty&ouml;n liitto. &lt;\/div&gt;\"><span itemprop=\"name\">Benjamin 1989<\/span><\/a><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/benjamin-derniere-nuit-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; &amp;lt;em&amp;gt;Benjamin, Derni&egrave;re Nuit. 2016&amp;lt;\/em&amp;gt;. Ooppera. Ohjaus Reiner E., Moritz. (Suom. Benjamin, viimeinen y&ouml;). YLE Teema. Katsottu 29.1.2017. &amp;lt;a href=&amp;quot;http:\/\/areena.yle.fi\/1-3703424&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;areena.yle.fi\/1-3703424&amp;lt;\/a&amp;gt; &lt;\/div&gt;\"><span itemprop=\"name\">Benjamin, Derni&egrave;re Nuit 2016<\/span><\/a><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/bohme-1993\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; B&ouml;hme, Gernot. 1993. &amp;lt;em&amp;gt;Atmosphere as the Fundamental Concept of a New Aesthetics&amp;lt;\/em&amp;gt;. &amp;lt;a href=&amp;quot;http:\/\/desteceres.com\/boehme.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;desteceres.com\/boehme.pdf&amp;lt;\/a&amp;gt; (accessed 8.2.2017) &lt;\/div&gt;\"><span itemprop=\"name\">B&ouml;hme 1993<\/span><\/a><\/li><li class=\" ln-1\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/bohr-2010\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Bohr, Niels. 2010. &amp;lt;i&amp;gt;Atomic Physics and Human Knowledge&amp;lt;\/i&amp;gt;. Mineola: Dover Publications. &lt;\/div&gt;\"><span itemprop=\"name\">Bohr 2010<\/span><\/a><\/li><li class=\" ln-2\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/casey-1997\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Casey, Edward S. 1997. &amp;lt;em&amp;gt;The Fate of Place, a philosophical history&amp;lt;\/em&amp;gt;, University of California Press. &lt;\/div&gt;\"><span itemprop=\"name\">Casey 1997<\/span><\/a><\/li><li class=\" ln-2\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/cvejic-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Cvejic, Bojana. 2017. &amp;quot;Making, Thinking, and Feigning.&rdquo; Guildford: Centre for Performance Philosophy, University of Surrey, 27 January. &lt;\/div&gt;\"><span itemprop=\"name\">Cvejic 2017<\/span><\/a><\/li><li class=\" ln-3\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/deleuze-1991\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Deleuze, Gilles. 1991. &amp;lt;i&amp;gt;Bergsonism&amp;lt;\/i&amp;gt;. Translated by Hugh Tomlinson and Barbara Habberjam. New York: Zone Books. &lt;\/div&gt;\"><span itemprop=\"name\">Deleuze 1991<\/span><\/a><\/li><li class=\" ln-3\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/deleuze-2004\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Deleuze, Gilles. 2004. &amp;lt;i&amp;gt;Difference and Repetition&amp;lt;\/i&amp;gt;. Edited by Paul Patton. London: Continuum. &lt;\/div&gt;\"><span itemprop=\"name\">Deleuze 2004<\/span><\/a><\/li><li class=\" ln-3\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/dilley-1999\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Dilley, Roy (ed.). 1999. &amp;lt;em&amp;gt;The Problem of Context&amp;lt;\/em&amp;gt;, Berghahn Books, New York, Oxford. &lt;\/div&gt;\"><span itemprop=\"name\">Dilley 1999<\/span><\/a><\/li><li class=\" ln-5\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/feynman-2011\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Feynman, Richard. 2011. &amp;lt;i&amp;gt;The Feynman Lectures on Physics&amp;lt;\/i&amp;gt;. New York: Basic Books. &lt;\/div&gt;\"><span itemprop=\"name\">Feynman 2011<\/span><\/a><\/li><li class=\" ln-5\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/flusser-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Flusser, Vil&eacute;m. 2012. &amp;lt;i&amp;gt;Vampyroteuthis Infernalis: A Treatise, with a Report by the Institut Scientifique de Recherche Paranaturaliste&amp;lt;\/i&amp;gt;. Translated by Valentine A. Pakis. Minneapolis: University of Minnesota Press. &lt;\/div&gt;\"><span itemprop=\"name\">Flusser 2012<\/span><\/a><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/galloway-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Galloway, Alexander R. 2014. &amp;lt;i&amp;gt;Laruelle: Against the Digital&amp;lt;\/i&amp;gt;. Minnesota: University of Minnesota Press. &lt;\/div&gt;\"><span itemprop=\"name\">Galloway 2014<\/span><\/a><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/grant-2013\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Grant, Stuart. 2013. &amp;lt;em&amp;gt;Performing an Aesthetics of Atmospheres&amp;lt;\/em&amp;gt;, &amp;lt;a href=&amp;quot;https:\/\/openjournals.library.sydney.edu.au\/index.php\/LA\/article\/view\/7794\/7950&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;openjournals.library.sydney.edu.au\/index.php\/LA\/article\/view\/7794\/7950&amp;lt;\/a&amp;gt; (accessed 8.3.2017) &lt;\/div&gt;\"><span itemprop=\"name\">Grant 2013<\/span><\/a><\/li><li class=\" ln-6\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/griffero-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Griffero, Tonino. 2014. &amp;lt;em&amp;gt;Atmospheres: Aesthetics of Emotional Spaces&amp;lt;\/em&amp;gt; (transl. Sarah de Sanctis), Ashgate Publishing Limited. &lt;\/div&gt;\"><span itemprop=\"name\">Griffero 2014<\/span><\/a><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/hacking-2010\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Hacking, Ian. 2010. &amp;lt;i&amp;gt;Representing and Intervening: Introductory topics in the philosophy of natural science&amp;lt;\/i&amp;gt;. New York: Cambridge University Press. &lt;\/div&gt;\"><span itemprop=\"name\">Hacking 2010<\/span><\/a><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/heikinaho-2017\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Heikinaho, Minna. 2017. Tekij&auml; etsii kotia. Avoin kirje minulta teille muille. Harjoitus, jossa tekij&auml; vapautuu ja eettinen yhteis&ouml;ruumis astuu esiin. Ruukku. &amp;lt;a href=&amp;quot;http:\/\/ruukku-journal.fi\/fi\/issues\/7&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;ruukku-journal.fi\/fi\/issues\/7&amp;lt;\/a&amp;gt; &lt;\/div&gt;\"><span itemprop=\"name\">Heikinaho 2017<\/span><\/a><\/li><li class=\" ln-7\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/hunter-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Hunter, Victoria (ed.). 2015. &amp;lt;em&amp;gt;Moving Sites: Investigating Site-Specific Dance Performance&amp;lt;\/em&amp;gt;. Routledge, London and New York. &lt;\/div&gt;\"><span itemprop=\"name\">Hunter 2015<\/span><\/a><\/li><li class=\" ln-8\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/iser-1980\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Iser, Wolfgang. 1980. Phenomenology of Reading in &amp;lt;em&amp;gt;The Act of Reading: A Theory of Aesthetic Response&amp;lt;\/em&amp;gt;, (pp. 107&ndash;134). The Johns Hopkins University Press. &lt;\/div&gt;\"><span itemprop=\"name\">Iser 1980<\/span><\/a><\/li><li class=\" ln-9\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/jalving-2005\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Jalving, Camilla. 2005. &amp;quot;Inventing reality. On truth and lies in the work of Hayley Newman.&rdquo; In &amp;lt;i&amp;gt;Performative Realism: Interdisciplinary Studies in Art and Media&amp;lt;\/i&amp;gt;, edited by Rune Gade and Anne Jerslev, 145&ndash;180. Copenhagen: Museum Tusculanum Press. &lt;\/div&gt;\"><span itemprop=\"name\">Jalving 2005<\/span><\/a><\/li><li class=\" ln-10\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/kolozova-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Kolozova, Katerina. 2014. &amp;lt;i&amp;gt;Cut of the Real: Subjectivity in Poststructuralist Philosophy&amp;lt;\/i&amp;gt;. New York: Columbia University Press. &lt;\/div&gt;\"><span itemprop=\"name\">Kolozova 2014<\/span><\/a><\/li><li class=\" ln-10\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/kovala-2001\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Kovala, Urpo. 2001. &amp;lt;em&amp;gt;Anchorages of Meaning: The Consequences of Contextualist Approaches to Literary Meaning Production.&amp;lt;\/em&amp;gt;&nbsp;Vol. 21, Peter Lang GmbH, Europ&auml;ischer Verlag der Wissenschaften, Frankfurt am Main. &lt;\/div&gt;\"><span itemprop=\"name\">Kovala 2001<\/span><\/a><\/li><li class=\" ln-10\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/kwon-2004\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Kwon, Miwon. 2004. &amp;lt;em&amp;gt;One Place After Another: Site-Specific Art and Locational Identity&amp;lt;\/em&amp;gt;. The MIT Press, Cambridge Massachusetts, London, England. &lt;\/div&gt;\"><span itemprop=\"name\">Kwon 2004<\/span><\/a><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/laruelle-2000\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Laruelle, Fran&ccedil;ois. 2000. &amp;quot;Identity and Event.&rdquo; Pli (The University of Warwick) (9). &lt;\/div&gt;\"><span itemprop=\"name\">Laruelle 2000<\/span><\/a><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/laruelle-2010\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Laruelle, Fran&ccedil;ois. 2010. &amp;lt;i&amp;gt;Future Christ. A Lesson in Heresy&amp;lt;\/i&amp;gt;. Translated by Anthony Paul Smith. London: Continuum. &lt;\/div&gt;\"><span itemprop=\"name\">Laruelle 2010<\/span><\/a><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/laruelle-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Laruelle, Fran&ccedil;ois. 2012. &amp;lt;i&amp;gt;Photo-Fiction, A Non-Standard Aesthetics&amp;lt;\/i&amp;gt;. Translated by Drew S. Burk. Minneapolis: Univocal. &lt;\/div&gt;\"><span itemprop=\"name\">Laruelle 2012<\/span><\/a><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/laruelle-2013\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Laruelle, Fran&ccedil;ois. 2013. &amp;lt;i&amp;gt;Philosophy and Non-Philosophy&amp;lt;\/i&amp;gt;. Translated by Taylor Adkins. Minneapolis: Univocal. &lt;\/div&gt;\"><span itemprop=\"name\">Laruelle 2013<\/span><\/a><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/lefebvre-1991\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Lefebvre, Henri. 1991. &amp;lt;em&amp;gt;The Production of Space.&amp;lt;\/em&amp;gt;&nbsp;engl. Nicholson-Smith, Donald, Blackwell Publishing. &lt;\/div&gt;\"><span itemprop=\"name\">Lefebvre 1991<\/span><\/a><\/li><li class=\" ln-11\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/life-and-death-of-benjamin-2016\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; &amp;lt;em&amp;gt;Life and Death of Benjamin.&amp;lt;\/em&amp;gt; 2016. Dokumentti. Ohjaus John Fulljames. (Suom. Walter Benjaminin el&auml;m&auml; ja kuolema. 2017). YLE Teema. Katsottu 29.1.2017. &amp;lt;a href=&amp;quot;http:\/\/areena.yle.fi\/1-3703427&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;areena.yle.fi\/1-3703427&amp;lt;\/a&amp;gt; &lt;\/div&gt;\"><span itemprop=\"name\">Life and Death of Benjamin 2016<\/span><\/a><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/maoilearca-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Maoilearca, John &Oacute;. 2015. &amp;lt;i&amp;gt;All thoughts are equal: Laruelle and nonhuman philosophy&amp;lt;\/i&amp;gt;. Minneapolis: University of Minnesota Press. &lt;\/div&gt;\"><span itemprop=\"name\">Maoilearca 2015<\/span><\/a><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/massey-2005\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Massey, Doreen. 2005. &amp;lt;em&amp;gt;For Space&amp;lt;\/em&amp;gt;. Sage Publications. &lt;\/div&gt;\"><span itemprop=\"name\">Massey 2005<\/span><\/a><\/li><li class=\" ln-12\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/mullarkey-2012\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Mullarkey, John and Anthony Paul Smith (eds.). 2012. &amp;lt;i&amp;gt;Laruelle and Non-Philosophy&amp;lt;\/i&amp;gt;. Edinburgh: Edinburgh University Press. &lt;\/div&gt;\"><span itemprop=\"name\">Mullarkey 2012<\/span><\/a><\/li><li class=\" ln-13\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/nancy-2005\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Nancy, Jean-Luc. 2005. &amp;lt;em&amp;gt;The Ground of the Image&amp;lt;\/em&amp;gt;. New York: Fordham University Press. &lt;\/div&gt;\"><span itemprop=\"name\">Nancy 2005<\/span><\/a><\/li><li class=\" ln-13\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/nauha-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Nauha, Tero. 2015. &amp;lt;i&amp;gt;Heresy &amp;amp; Provocation&amp;lt;\/i&amp;gt;. Malm&ouml;: F&ouml;rlaget. &lt;\/div&gt;\"><span itemprop=\"name\">Nauha 2015<\/span><\/a><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/pallasmaa-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Pallasmaa, Juhani. 2014. &amp;lt;em&amp;gt;Space, place and atmosphere: Emotion and peripherical perception in architectural experience&amp;lt;\/em&amp;gt;. &amp;lt;a href=&amp;quot;http:\/\/riviste.unimi.it\/index.php\/Lebenswelt\/article\/view\/4202&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;riviste.unimi.it\/index.php\/Lebenswelt\/article\/view\/4202&amp;lt;\/a&amp;gt; (accessed 15.3.2017) &lt;\/div&gt;\"><span itemprop=\"name\">Pallasmaa 2014<\/span><\/a><\/li><li class=\" ln-15\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/perec-2000\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Perec, Georges. 2000. &amp;lt;em&amp;gt;Tentative d&rsquo;&eacute;puisement d&rsquo;un lieu parisien&amp;lt;\/em&amp;gt;. Paris: Christian Bourgois. &amp;lt;a href=&amp;quot;https:\/\/lccn.loc.gov\/84673452&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;lccn.loc.gov\/84673452&amp;lt;\/a&amp;gt; &lt;\/div&gt;\"><span itemprop=\"name\">Perec 2000<\/span><\/a><\/li><li class=\" ln-17\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/rosenblatt-1988\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Rosenblatt, Louise M. 1988. &amp;lt;em&amp;gt;Writing and Reading: The Transactional Theory&amp;lt;\/em&amp;gt;. &amp;lt;a href=&amp;quot;https:\/\/www.nwp.org\/cs\/public\/print\/resource\/599&amp;quot; target=&amp;quot;_blank&amp;quot; rel=&amp;quot;noopener&amp;quot;&amp;gt;www.nwp.org\/cs\/public\/print\/resource\/599&amp;lt;\/a&amp;gt; (accessed 26.8.2016) &lt;\/div&gt;\"><span itemprop=\"name\">Rosenblatt 1988<\/span><\/a><\/li><li class=\" ln-18\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/sehgal-2014\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Sehgal, Melanie. 2014. &amp;lt;em&amp;gt;Diffractive Propositions: Reading Alfred North Whitehead with Donna Haraway and Karen Barad&amp;lt;\/em&amp;gt;. 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London, UK: Routledge. &lt;\/div&gt;\"><span itemprop=\"name\">Spatz 2015<\/span><\/a><\/li><li class=\" ln-19\" itemscope itemtype=\"https:\/\/schema.org\/DefinedTerm\"><a href=\"https:\/\/nivel.teak.fi\/poetics-of-form\/glossary\/thorsnes-2015\/\" role=\"term\" class=\"glossaryLink glossary-link-title \" style=\"\" itemprop=\"url\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemBody&gt; Thorsnes, Per Roar. 2015. &amp;lt;em&amp;gt;Docudancing Griefscapes: Choreographic strategies for embodying traumatic contexts in the trilogy Life &amp;amp; Death&amp;lt;\/em&amp;gt;, Acta Scenica, University of the Arts Helsinki, Performing Arts Research Centre, Theatre Academy. &lt;\/div&gt;\"><span itemprop=\"name\">Thorsnes 2015<\/span><\/a><\/li><\/ul><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/nivel.teak.fi\/poetics-of-form\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nivel.teak.fi\/poetics-of-form\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nivel.teak.fi\/poetics-of-form\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nivel.teak.fi\/poetics-of-form\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nivel.teak.fi\/poetics-of-form\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":0,"href":"https:\/\/nivel.teak.fi\/poetics-of-form\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"wp:attachment":[{"href":"https:\/\/nivel.teak.fi\/poetics-of-form\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}