Jeannette Ginslov is a specialist in digital dance for AR and Screen. She has an MSc Media Arts & Imaging – Screendance from Dundee University Scotland (Distinction) and an MA in Choreography, Rhodes University South Africa. Currently she is a Creative Technologies PhD Candidate, with a Scholarship from the Applied Science and Arts & Media Departments at London South Bank University researching Guðjónsdóttir’s Full Drop, a meditative dance practice, within a variable ecology of biosensor, digital dance and data visualisation technologies. She is Director & Founder of Screendance Africa (Pty) Ltd.
Susan Kozel, Margrét Sara Guðjónsdóttir, Jeannette Ginslov, Keith Lim Conspiracy Archives a process archive of an archival process
This resource reflects artistic research into archiving a choreographic process using digital and analogue materials (including bodies). It is a process archive of an archival process, structured around Critical Questions, Process Notes (taking the form of phenomenological writing and visual imagery) and Design Prototypes. The artistic research at the centre of this resource is the production of a Mixed Reality (MR) archival complement to Margrét Sara Guðjónsdóttir’s performance of Conspiracy Ceremony – HYPERSONIC STATES. The archival work is called Conspiracy Archives and it is currently in its final prototype phase, almost ready to tour either independently or along with the live performance. It is created by the collaborative team of Margrét Sara Guðjónsdóttir (choreography), Jeannette Ginslov (visual capture and editing), Keith Lim (visual processing and programming) and Susan Kozel (project coordination, philosophy and concept). This resource integrates the voices of the collaborators using words, still images, video and design prototypes.