Susan Kozel is known for artistic and philosophical work applying phenomenology to a range of sensory, affective and somatic practices. For the past two decades she has worked at the convergence between dance, philosophy and digital technologies. She is a Professor with the School of Art and Communication at Malmö University, directed the Living Archives Research Project funded by the Swedish National Research Council ( and is now establishing a research network called Live Theory. Her publications include the monograph Closer: Performance, Technologies, Phenomenology (MIT Press, 2007) and many shorter pieces (