Zoë Poluch has the unique capacity to make the most simple questions into complex investigations, and thus the format of a bio into an impossible endeavour. Her practice spans from instigating practice based collaborations to dancing poems about dance, in a detour across stage performances, sound choreographies and movements of the social life. Her deeply critical eye for the contemporary dance scene is based on a long term and practice-based interest in the moving body. As she teaches, dances, talks, writes and thinks, she does it with a precise gymnastics of the senses. Zoë completed her masters degree in choreography at DOCH, Stockholm in 2012. Since then she has not developed one distinct choreographic interest or signature, but instead experiments with the different shapes of writing, dancing, organizing symposia, performing, collaborating, choreographing, reading and talking.