Keywordaudience

  • Laura Gröndahl & Leena Rouhiainen Getting Started with Networking and Presenting Doctoral Artistic Research

    Laura Gröndahl & Leena Rouhiainen Getting Started with Networking and Presenting Doctoral Artistic Research

    The chapter aims to support artistic doctoral candidates in the initial stages of their research in presenting and publishing their work. It does this by mapping some of the main research communities, events and journals within artistic research related to the performing arts. In addition to introducing some of the central international platforms, the focus is on offerings in the Nordic countries, owing to the fact that the authors are based in Finland. The chapter intends to provide useful advice on how a newcomer to artistic research can approach and utilise the existing opportunities in order to advance her or his research and become an active member of the larger community of artistic research. The chapter ends with a summary of the relevant organisations, publications and events in the field.

  • Paula Kramer & Emma Meehan About AdequacyMaking Body-based Artistic Research Public

    Paula Kramer & Emma Meehan About AdequacyMaking Body-based Artistic Research Public

    Artistic research requires the ability to continuously tune and (re-)calibrate how to share work with people outside of the process, while still maintaining an adequate relationship to the project and the context in which it is developed. The doctorate is a good example of this process, as it is a significant multi-year project that requires artistic researchers to interface with a public at various stages. The academic framework places very particular demands on the researcher, to which this text attends whilst also being relevant to and aware of articulations of artistic research practiced elsewhere. A key question is how to respond to any kind of external requirements without losing the thread or the connection to one’s artistic practice. We push against common notions of compromise here and instead encourage artistic researchers to develop and argue for formats that have high resonance and a dense relationship to their research processes. As authors working with(in) movement/dance practices and performance, we attend in particular to processes of publicly sharing body-based artistic research.

  • Joanne ‘Bob’ Whalley & Lee Miller Somatics / Intersubjectivity‘Moving Thoughts on Intersubjectivity’

    Joanne ‘Bob’ Whalley & Lee Miller Somatics / Intersubjectivity‘Moving Thoughts on Intersubjectivity’

    This writing seeks to reflect upon the space in-between the work and its reception in order to consider how knowledge is created and exchanged. The principle of the ‘in-between’ is central to this writing, recognising as it does the spatial dynamic that is often overlooked in the co-creation of knowledge. Thus, ‘knowledge’ is positioned not as a solo offering, but as a communicative and vibrant act of exchange. In this context, the knowledge generative possibilities of arts practice become clearer, as the intersubjective is a more evident terrain of enquiry than might be the case in more ‘traditional’ forms of knowledge dissemination that might more typically be understood as having a singular direction of travel.

  • 10Nivel2019
  • Researching (in/as) Motion978-952-353-012-6 © 2019 Theatre Academy of the University of the Arts Helsinki Accessibility statement
  • ADiE is a partnership between Zodiak Centre for New Dance, Kiasma Theatre Museum and University of the Arts Helsinki (FI), Weld and Stockholm University of the Arts (SE), and Dance4, University of Chichester and Middlesex University (UK), funded by Erasmus+.