TopicDocumentation, Expositionality and Publics

  • Eleanor Bauer Documentation / Examination

    Eleanor Bauer Documentation / Examination

    In a rumination on artistic research processes and their documentation, Bauer addresses notions of memory, process, and preservation in the experimental form of  “annotated poem.” Separating the articulation of an idea which considers its form from the explanation and unfolding of its connections to others through citations and anecdotes.

  • Franc Chamberlain Start SomewhereMemories, Sensations, Speculations, and Practice Research

    Franc Chamberlain Start SomewhereMemories, Sensations, Speculations, and Practice Research

    Starting ‘somewhere’ and modelling some of the things we might do at the beginning of a practice research project in order to put things in motion, this self-reflexive text draws on autobiographical memories to suggest ways in which these might be used in generating further lines of embodied inquiry.

  • Scott deLahunta The Confusing Evidence(evidence that confuses)

    Scott deLahunta The Confusing Evidence(evidence that confuses)

    talk on four topics, the publishing of choreographic ideas, communicating what happens in the studio in the absence of the body, annotation and process documentation, and dance becoming data.

  • Simon Ellis & Rebecca Hilton From Verb to Noun and Back AgainThoughts on Documenting Practice Based Artistic Research

    Simon Ellis & Rebecca Hilton From Verb to Noun and Back AgainThoughts on Documenting Practice Based Artistic Research

    Via a written conversation Becky and Simon discuss processes and practices of documentation in dance, artistic research and knowledge production, and experiences of working as artists both inside and outside of the Academy.

  • Marie Fahlin Wridden– wringing writing and riding

    Marie Fahlin Wridden– wringing writing and riding

    Wridden is a text collage, join(t)ing the concepts of writing and riding using past (was wridden yesterday) and future perfect (will have been wridden tomorrow) tense to reflect on the now of writing and riding (choreographing). The title Wridden also alludes to the Swedish word ‘vriden’; twisted or wringed. The text collage uses twisting, turning and wringing; letters, words, concepts and images. The circle and semicircle, broken circles and double circles, will be used as visual forms to bend the readers eye and the writer’s I. Wridden is a form of writing that simultaneously looks at itself as it is in the midst of becoming, its own past and future, now. Involved is: The rider. The reader. The eye. The writer. The I.

  • Laura Gröndahl & Leena Rouhiainen Getting Started with Networking and Presenting Doctoral Artistic Research

    Laura Gröndahl & Leena Rouhiainen Getting Started with Networking and Presenting Doctoral Artistic Research

    The chapter aims to support artistic doctoral candidates in the initial stages of their research in presenting and publishing their work. It does this by mapping some of the main research communities, events and journals within artistic research related to the performing arts. In addition to introducing some of the central international platforms, the focus is on offerings in the Nordic countries, owing to the fact that the authors are based in Finland. The chapter intends to provide useful advice on how a newcomer to artistic research can approach and utilise the existing opportunities in order to advance her or his research and become an active member of the larger community of artistic research. The chapter ends with a summary of the relevant organisations, publications and events in the field.

  • Susan Kozel, Margrét Sara Guðjónsdóttir, Jeannette Ginslov, Keith Lim Conspiracy Archives a process archive of an archival process

    Susan Kozel, Margrét Sara Guðjónsdóttir, Jeannette Ginslov, Keith Lim Conspiracy Archives a process archive of an archival process

    This resource reflects artistic research into archiving a choreographic process using digital and analogue materials (including bodies). It is a process archive of an archival process, structured around Critical Questions, Process Notes (taking the form of phenomenological writing and visual imagery) and Design Prototypes. The artistic research at the centre of this resource is the production of a Mixed Reality (MR) archival complement to Margrét Sara Guðjónsdóttir’s performance of Conspiracy Ceremony – HYPERSONIC STATES. The archival work is called Conspiracy Archives and it is currently in its final prototype phase, almost ready to tour either independently or along with the live performance. It is created by the collaborative team of Margrét Sara Guðjónsdóttir (choreography), Jeannette Ginslov (visual capture and editing), Keith Lim (visual processing and programming) and Susan Kozel (project coordination, philosophy and concept). This resource integrates the voices of the collaborators using words, still images, video and design prototypes.

  • Paula Kramer & Emma Meehan About AdequacyMaking Body-based Artistic Research Public

    Paula Kramer & Emma Meehan About AdequacyMaking Body-based Artistic Research Public

    Artistic research requires the ability to continuously tune and (re-)calibrate how to share work with people outside of the process, while still maintaining an adequate relationship to the project and the context in which it is developed. The doctorate is a good example of this process, as it is a significant multi-year project that requires artistic researchers to interface with a public at various stages. The academic framework places very particular demands on the researcher, to which this text attends whilst also being relevant to and aware of articulations of artistic research practiced elsewhere. A key question is how to respond to any kind of external requirements without losing the thread or the connection to one’s artistic practice. We push against common notions of compromise here and instead encourage artistic researchers to develop and argue for formats that have high resonance and a dense relationship to their research processes. As authors working with(in) movement/dance practices and performance, we attend in particular to processes of publicly sharing body-based artistic research.

  • Joanne ‘Bob’ Whalley & Lee Miller Somatics / Intersubjectivity‘Moving Thoughts on Intersubjectivity’

    Joanne ‘Bob’ Whalley & Lee Miller Somatics / Intersubjectivity‘Moving Thoughts on Intersubjectivity’

    This writing seeks to reflect upon the space in-between the work and its reception in order to consider how knowledge is created and exchanged. The principle of the ‘in-between’ is central to this writing, recognising as it does the spatial dynamic that is often overlooked in the co-creation of knowledge. Thus, ‘knowledge’ is positioned not as a solo offering, but as a communicative and vibrant act of exchange. In this context, the knowledge generative possibilities of arts practice become clearer, as the intersubjective is a more evident terrain of enquiry than might be the case in more ‘traditional’ forms of knowledge dissemination that might more typically be understood as having a singular direction of travel.

  • Marisa Zanotti Scores, Stills and ScreensDocumentation in Artist Doctorates

    Marisa Zanotti Scores, Stills and ScreensDocumentation in Artist Doctorates

    This reflective essay considers how documenting might be made to work strategically in the doctoral process. The writing explores three functions of screen documentation: Documentation as a research practice; documentation as evidence of a performance or process; and documentation as an integral strategy in the final presentation/ defence of a thesis. The essay draws on thinking about documentation and subjectivity by artists and documentarians such as Babette Mangolte (1978) and Becky Edmunds (2007) and cites examples of documentations of different kinds of live events. The essay includes original scores that link recording technologies to creative process, these scores are designed to open up thinking about documenting in both studio research and recording final performances.

  • Marisa Zanotti & Simon Ellis Habbits of Attention

    Marisa Zanotti & Simon Ellis Habbits of Attention

    Habits of attention: was a conversation between Marisa Zanotti and Simon Ellis exploring documentation in artistic doctorates in relation to different audiences. The dialogue was delivered as a paper by Marisa Zanotti.

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  • ADiE is a partnership between Zodiak Centre for New Dance, Kiasma Theatre Museum and University of the Arts Helsinki (FI), Weld and Stockholm University of the Arts (SE), and Dance4, University of Chichester and Middlesex University (UK), funded by Erasmus+.