Abram 1996

By sari On 13/12/2013 · Add Comment · In

Abram, David 1996. The Spell of the Sensuous: Perception and Language in a More-Than-Human World. New York: Vintage Books, Random House.

Rewriting Distance. Some Reflections on the Impact of Performance as Research. Guy Cools

Popular
Recent
Comments
Tags

Accessibility statementThis accessibility statement applies to website nivel.teak.fi/carpa and it has [...]
Publication DetailsThe impact of performance as research Proceedings of CARPA 3 [...]
Introduction Annette ArlanderAnnette ArlanderThe third Colloquium on Artistic Research in Performing Arts, [...]
Emilyn ClaidEmilyn Claid, Dr., Gestalt psychotherapist UKCP, Professor of Choreography at [...]
FACE-to-FACE Emilyn ClaidEmilyn Claid Abstract Between is not an auxiliary construction, but [...]
Antti NykyriHelsinki-based Antti Nykyri (MA) has worked with music and sound [...]
Making and Knowing Art from The Heart Antti Nykyri & Leena RouhiainenAntti Nykyri & Leena Rouhiainen Abstract This presentation consists of [...]
Viewing and Reviewing a Performance Situation Per RoarPer Roar Abstract The presentation discusses the experiences from constructing [...]
Per RoarPer Roar is a choreographer and doctoral student at Theatre [...]
Rebecca CollinsRebecca Louise Collins is currently undertaking a PhD at Aberystwyth [...]
Dear Institution Rebecca CollinsRebecca Collins Abstract Dear Institution, I have fled. I’m sorry, [...]
Anita ValkeemäkiAnita Valkeemäki holds a MA in Dance, pedagogy (Theatre Academy [...]
Teija LöytönenTeija Löytönen holds a Master’s degree in education (University of [...]
Hanna GuttormHanna Guttorm (M.Ed.) is a Ph. D. Student at the [...]
Eeva AnttilaEeva Anttila (Ed.Lic, Doctor of Arts in dance) has been [...]
Happy Incidents and Unexpected Encounters in the Academia, or Be(coming) (a) Present(ation) Eeva Anttila, Hanna Guttorm, Teija Löytönen & Anita ValkeemäkiEeva Anttila, Hanna Guttorm, Teija Löytönen & Anita Valkeemäki Abstract [...]
Katja Hilevaara and Emily OrleyKatja Hilevaara and Emily Orley are artists, researchers and teachers [...]
MAKING MATTER: A Dialogue about Brief Encounters and Enduring Impressions Katja Hilevaara & Emily OrleyKatja Hilevaara & Emily Orley Abstract We will present a [...]
Kai LehikoinenKai Lehikoinen is a university lecturer in performing arts in [...]
Artistic Interventions as a Strand of Artistic Research Kai LehikoinenKai Lehikoinen Abstract Art and culture for well-being is a [...]
Carl Unander-ScharinCarl Unander-Scharin is a Swedish composer and tenor. He specializes [...]
Åsa Unander-ScharinÅsa Unander-Scharin (PhD) choreographer and artistic researcher collaborating with dancers, [...]
Sensory Digital Intonation Åsa Unander-Scharin & Carl Unander-ScharinÅsa Unander-Scharin & Carl Unander-Scharin(Both authors are first author) Abstract [...]
Joanne ‘Bob’ Whalley and Lee MillerDr Joanne ‘Bob’ Whalley, Falmouth University, UK Dr Lee Miller, [...]
Into the Good Night (go) Joanne ‘Bob’ Whalley & Lee MillerJoanne ‘Bob’ Whalley & Lee Miller Abstract ”Perhaps we should [...]
Cecilia LagerströmCecilia Lagerström is a director, artistic researcher and senior lecturer [...]
Etudes on Silence – Researching the Performative and Performing Research Cecilia LagerströmCecilia Lagerström Abstract During 2010–12 I have been working with [...]
Vincent MeelbergVincent Meelberg is senior lecturer and researcher at Radboud University [...]
Musical Improvisation as the Performance of Embodied Knowledge: Embodied Narrativity in Musical Performance Vincent MeelbergVincent Meelberg Abstract One of the possible aims of artistic [...]
June Boyce-TillmanDr June Boyce-Tillman MBE, Professor of Applied Music, University of [...]
Embodied Knowing – Performativity as Research in the UK June Boyce-TillmanJune Boyce-Tillman Abstract RESEARCH QUESTIONS 1. If you use Performance [...]
Tero NauhaTero Nauha is a performance and visual artist. He is [...]
~~Life~~ in Bytom: The Actual Forms of Plasticity Tero NauhaTero Nauha Abstract I am investigating how to find ways [...]
Guy CoolsAfter having trained as a dramaturge, Guy Cools became involved [...]
Rewriting Distance. Some Reflections on the Impact of Performance as Research. Guy CoolsGuy Cools Abstract My research focuses on my own practice [...]
Henry DanielHenry Daniel is a Professor of Dance and Performance Studies [...]
Rakel EzpeletaRakel Ezpeleta is a PhD candidate in Theatre and Performance [...]
Project Barca: New Architectures of Memory and Identity – A Case Study on the Impact of Performance as Research Henry Daniel & Rakel Marín EzpeletaAbstract Project Barca: New Architectures of Memory and Identity is [...]
Gretchen JudeGretchen Jude is a performer and composer who works with [...]
Electrovocal Performance as/in Research: Notes for a Performance Gretchen JudeGretchen Jude Abstract As both a vocalist and a computer [...]
Paula SalosaariDoctor of Arts, Paula Salosaari, is a dance teacher at [...]
Initiating an Improvised Dance/Music Performance through Movement Imagery and Performance Analysis Paula SalosaariPaula Salosaari Abstract A live work-in-progress music and dance performance [...]
Leena RouhiainenDr Leena Rouhiainen (M.A. in Dance Performance, Theatre Academy Helsinki, [...]

Recent Posts
Categories

CARPA3

Abram 1996

Related Articles:

Recent Posts

Recent Posts

Categories