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The Impact of Performance as Research
Proceedings of Carpa 3
Introduction
Conference Presentations
Emilyn Claid
FACE-to-FACE
Antti Nykyri & Leena Rouhiainen
Making and Knowing Art from The Heart
Per Roar
Viewing and Reviewing a Performance Situation
Rebecca Collins
Dear Institution
Eeva Anttila, Hanna Guttorm, Teija Löytönen & Anita Valkeemäki
Happy Incidents and Unexpected Encounters in the Academia, or Be(coming) (a) Present(ation)
Katja Hilevaara & Emily Orley
MAKING MATTER: A Dialogue about Brief Encounters and Enduring Impressions
Kai Lehikoinen
Artistic Interventions as a Strand of Artistic Research
Åsa Unander-Scharin & Carl Unander-Scharin
Sensory Digital Intonation
Joanne ‘Bob’ Whalley & Lee Miller
Into the Good Night (go)
Cecilia Lagerström
Etudes on Silence – Researching the Performative and Performing Research
Vincent Meelberg
Musical Improvisation as the Performance of Embodied Knowledge: Embodied Narrativity in Musical Performance
June Boyce-Tillman
Embodied Knowing – Performativity as Research in the UK
Tero Nauha
Life
in Bytom: The Actual Forms of Plasticity
Guy Cools
Rewriting Distance. Some Reflections on the Impact of Performance as Research.
Henry Daniel & Rakel Marín Ezpeleta
Project Barca: New Architectures of Memory and Identity – A Case Study on the Impact of Performance as Research
Gretchen Jude
Electrovocal Performance as/in Research: Notes for a Performance
Paula Salosaari
Initiating an Improvised Dance/Music Performance through Movement Imagery and Performance Analysis
Contributors
Prefaces
Annette Arlander
Introduction