Carpa3 Proceedings

The Impact of Performance as Research

• Introduction Annette Arlander
• FACE-to-FACE Emilyn Claid
• Making and Knowing Art from The Heart Antti Nykyri & Leena Rouhiainen
• Viewing and Reviewing a Performance Situation Per Roar
• Dear Institution Rebecca Collins
• Happy Incidents and Unexpected Encounters in the Academia, or Be(coming) (a) Present(ation) Eeva Anttila, Hanna Guttorm, Teija Löytönen & Anita Valkeemäki
• MAKING MATTER: A Dialogue about Brief Encounters and Enduring Impressions Katja Hilevaara & Emily Orley
• Artistic Interventions as a Strand of Artistic Research Kai Lehikoinen
• Sensory Digital Intonation Åsa Unander-Scharin & Carl Unander-Scharin
• Into the Good Night (go) Joanne ‘Bob’ Whalley & Lee Miller
• Etudes on Silence – Researching the Performative and Performing Research Cecilia Lagerström
• Musical Improvisation as the Performance of Embodied Knowledge: Embodied Narrativity in Musical Performance Vincent Meelberg
• Embodied Knowing – Performativity as Research in the UK June Boyce-Tillman
• Life in Bytom: The Actual Forms of Plasticity Tero Nauha
• Rewriting Distance. Some Reflections on the Impact of Performance as Research. Guy Cools
• Project Barca: New Architectures of Memory and Identity – A Case Study on the Impact of Performance as Research Henry Daniel & Rakel Marín Ezpeleta
• Electrovocal Performance as/in Research: Notes for a Performance Gretchen Jude
• Initiating an Improvised Dance/Music Performance through Movement Imagery and Performance Analysis Paula Salosaari