• Glossary
  • CARPA3 Proceedings
  • Cover
  • Publication Details
  • Cover pdf
MENU

CARPA3

Leman 2007

By sari On 09/12/2013 · Add Comment · In

Leman, Marc 2007. Embodied Music Cognition and Mediation in Music. Cambridge, MA: MIT Press.

Related Articles:

  • Musical Improvisation as the Performance of Embodied Knowledge: Embodied Narrativity in Musical Performance Vincent Meelberg
 
  • Popular
  • Recent
  • Comments
  • Tags

Recent Posts

  • Accessibility statementThis accessibility statement applies to website nivel.teak.fi/carpa and it has [...]
  • Publication DetailsThe impact of performance as research Proceedings of CARPA 3 [...]
  • Introduction Annette ArlanderAnnette ArlanderThe third Colloquium on Artistic Research in Performing Arts, [...]
  • Emilyn ClaidEmilyn Claid, Dr., Gestalt psychotherapist UKCP, Professor of Choreography at [...]
  • FACE-to-FACE Emilyn ClaidEmilyn Claid Abstract Between is not an auxiliary construction, but [...]
  • Antti NykyriHelsinki-based Antti Nykyri (MA) has worked with music and sound [...]
  • Making and Knowing Art from The Heart Antti Nykyri & Leena RouhiainenAntti Nykyri & Leena Rouhiainen Abstract This presentation consists of [...]
  • Viewing and Reviewing a Performance Situation Per RoarPer Roar  Abstract The presentation discusses the experiences from constructing [...]
  • Per RoarPer Roar is a choreographer and doctoral student at Theatre [...]
  • Rebecca CollinsRebecca Louise Collins is currently undertaking a PhD at Aberystwyth [...]
  • Dear Institution Rebecca CollinsRebecca Collins Abstract Dear Institution, I have fled. I’m sorry, [...]
  • Anita ValkeemäkiAnita Valkeemäki holds a MA in Dance, pedagogy (Theatre Academy [...]
  • Teija LöytönenTeija Löytönen holds a Master’s degree in education (University of [...]
  • Hanna GuttormHanna Guttorm (M.Ed.) is a Ph. D. Student at the [...]
  • Eeva AnttilaEeva Anttila (Ed.Lic, Doctor of Arts in dance) has been [...]
  • Happy Incidents and Unexpected Encounters in the Academia, or Be(coming) (a) Present(ation) Eeva Anttila, Hanna Guttorm, Teija Löytönen & Anita ValkeemäkiEeva Anttila, Hanna Guttorm, Teija Löytönen & Anita Valkeemäki Abstract [...]
  • Katja Hilevaara and Emily OrleyKatja Hilevaara and Emily Orley are artists, researchers and teachers [...]
  • MAKING MATTER: A Dialogue about Brief Encounters and Enduring Impressions Katja Hilevaara & Emily OrleyKatja Hilevaara & Emily Orley Abstract We will present a [...]
  • Kai LehikoinenKai Lehikoinen is a university lecturer in performing arts in [...]
  • Artistic Interventions as a Strand of Artistic Research Kai LehikoinenKai Lehikoinen Abstract Art and culture for well-being is a [...]
  • Carl Unander-ScharinCarl Unander-Scharin is a Swedish composer and tenor. He specializes [...]
  • Åsa Unander-ScharinÅsa Unander-Scharin (PhD) choreographer and artistic researcher collaborating with dancers, [...]
  • Sensory Digital Intonation Åsa Unander-Scharin & Carl Unander-ScharinÅsa Unander-Scharin & Carl Unander-Scharin(Both authors are first author) Abstract [...]
  • Joanne ‘Bob’ Whalley and Lee MillerDr Joanne ‘Bob’ Whalley, Falmouth University, UK Dr Lee Miller, [...]
  • Into the Good Night (go) Joanne ‘Bob’ Whalley & Lee MillerJoanne ‘Bob’ Whalley & Lee Miller Abstract ”Perhaps we should [...]
  • Cecilia LagerströmCecilia Lagerström is a director, artistic researcher and senior lecturer [...]
  • Etudes on Silence – Researching the Performative and Performing Research Cecilia LagerströmCecilia Lagerström Abstract During 2010–12 I have been working with [...]
  • Vincent MeelbergVincent Meelberg is senior lecturer and researcher at Radboud University [...]
  • Musical Improvisation as the Performance of Embodied Knowledge: Embodied Narrativity in Musical Performance Vincent MeelbergVincent Meelberg Abstract One of the possible aims of artistic [...]
  • June Boyce-TillmanDr June Boyce-Tillman MBE, Professor of Applied Music, University of [...]
  • Embodied Knowing – Performativity as Research in the UK June Boyce-TillmanJune Boyce-Tillman Abstract RESEARCH QUESTIONS 1. If you use Performance [...]
  • Tero NauhaTero Nauha is a performance and visual artist. He is [...]
  • Life in Bytom: The Actual Forms of Plasticity Tero NauhaTero Nauha Abstract I am investigating how to find ways [...]
  • Guy CoolsAfter having trained as a dramaturge, Guy Cools became involved [...]
  • Rewriting Distance. Some Reflections on the Impact of Performance as Research. Guy CoolsGuy Cools Abstract My research focuses on my own practice [...]
  • Henry DanielHenry Daniel is a Professor of Dance and Performance Studies [...]
  • Rakel EzpeletaRakel Ezpeleta is a PhD candidate in Theatre and Performance [...]
  • Project Barca: New Architectures of Memory and Identity – A Case Study on the Impact of Performance as Research Henry Daniel & Rakel Marín EzpeletaAbstract Project Barca: New Architectures of Memory and Identity is [...]
  • Gretchen JudeGretchen Jude is a performer and composer who works with [...]
  • Electrovocal Performance as/in Research: Notes for a Performance Gretchen JudeGretchen Jude Abstract As both a vocalist and a computer [...]
  • Paula SalosaariDoctor of Arts, Paula Salosaari, is a dance teacher at [...]
  • Initiating an Improvised Dance/Music Performance through Movement Imagery and Performance Analysis Paula SalosaariPaula Salosaari Abstract A live work-in-progress music and dance performance [...]
  • Leena RouhiainenDr Leena Rouhiainen (M.A. in Dance Performance, Theatre Academy Helsinki, [...]

  • Recent Posts

    • Accessibility statement
    • Publication Details
    • Introduction Annette Arlander
    • Emilyn Claid
    • FACE-to-FACE Emilyn Claid

  • Categories

    • CARPA3
    • Contributor Details
    • Uncategorized
 
    • © Theatre Academy Helsinki
    • Nivel02 2014
    • Accessibility statement