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Posted 08/04/2016 · Add Comment

Maria Callas (1923–1977) Greek-American opera-singer.

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Workshop: Which scenic subjects may emerge when interacting with machines through vocal and bodily virtuosity? Ludvig Elblaus, Carl Unander-Scharin, Åsa Unander-Scharin
Ornamentation based upon More-Than-Human-References: Moving Towards an Ecology of Trust Elisabeth Laasonen Belgrano

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Accessibility statementThis accessibility statement applies to website nivel.teak.fi/carpa4 and it has [...]
Preface Annette ArlanderAnnette ArlanderThe purpose of the biannual CARPA colloquia is to [...]
Welcome Speech Leena RouhiainenLeena RouhiainenGood morning everyone! Thank you for being here! My [...]
CARPA4, The Non-human and the Inhuman in Performing Arts — Bodies, Organisms and Objects in Conflict Opening words Esa KirkkopeltoEsa Kirkkopelto Dear Audience Let’s start with a familiar-looking news [...]
Emotional Species Bodies: Intention and Attention within Artistic Form Peta TaitPeta TaitProfessor La Trobe University and the University of Wollongong. [...]
Program for Inhuman Theater, or What is the Desire of the Things? Boyan ManchevBoyan ManchevA shorter version of this text appeared in German [...]
Ornamentation based upon More-Than-Human-References: Moving Towards an Ecology of Trust Elisabeth Laasonen BelgranoElisabeth Laasonen BelgranoPhD in Performance in Theatre and Music Drama [...]
House Music: A Performance Lindsey Drury and No CollectiveLindsey Drury and No CollectivePerformers: Lindsey Drury (USA) Johanna Gilje [...]
Weathering the Body—Handling the body with care? Joa HugJoa Hug Abstract This workshop proposes to practically approach the [...]
Testing Our Mettle: Accidental Performance and the Agency of the Non-human Joanne “Bob” Whalley and Lee MillerJoanne “Bob” Whalley and Lee MillerDogs are curious. Dogs complicate. [...]
Workshop: Which scenic subjects may emerge when interacting with machines through vocal and bodily virtuosity? Ludvig Elblaus, Carl Unander-Scharin, Åsa Unander-ScharinLudvig Elblaus Carl Unander-Scharin Åsa Unander-Scharin(all authors are first author) [...]
This is Not Rubbish: Investigating Eco-materialism in Performance Tanja BeerTanja BeerPhD candidate University of Melbourne Australia A number of theorists [...]
The performer is absent: spaces of absence in the contemporary performing arts Kristof van BaarleKristof van BaarleGhent University “This publication is part of a [...]
Smart Homes and Living Machines: Views from Performative Architecture Teemu PaavolainenTeemu Paavolainen Abstract From Le Corbusier’s “machines for living in” [...]
Contextual Choreography: A dance-mat workshop Simo KellokumpuSimo Kellokumpu In Theatre Academy Helsinki there are several dance-studios. [...]
Embodied experiments — Some technologies of the self in climate change Anu KoskinenAnu Koskinen In August 2015: This text is not exactly [...]
Assemblages of Excess, or, Towards a Paradigm of the Leak Macklin KowalMacklin Kowal Abstract This presentation unpacks the idea of leakage [...]
Scenic Imagination — the actor/performer’s body as a scenic element Mikko BredenbergMikko BredenbergThe title of my lecture-demonstration-workshop is “Scenic Imagination – [...]
Improvising with Twigs and Cells: Paradox in Transversal Practices Malaika Sarco-ThomasMalaika Sarco-ThomasUniversity of Malta In 2006 in collaboration with my [...]
Encountering Metal and Wood. The Double Bass as Collaborative and Resistive Actor in Musical Improvisation Vincent MeelbergVincent MeelbergDepartment of Cultural Studies Radboud University Nijmegen Introduction Traditionally [...]
Publication DetailsThe impact of performance as research Proceedings of CARPA 3 [...]