Skip to content

Author: sari

  • Preface

  • Welcome Speech

  • CARPA4, The Non-human and the Inhuman in Performing Arts – Bodies, Organisms and Objects in Conflict Opening words

  • Emotional Species Bodies: Intention and Attention within Artistic Form

  • Program for Inhuman Theater, or What is the Desire of the Things?

  • Ornamentation based upon More-Than-Human-References: Moving Towards an Ecology of Trust

  • House Music: A Performance

  • Weathering the Body – Handling the body with care?

  • Testing Our Mettle: Accidental Performance and the Agency of the Non-human

  • Workshop: Which scenic subjects may emerge when interacting with machines through vocal and bodily virtuosity?

  • This is Not Rubbish: Investigating Eco-materialism in Performance

  • The performer is absent: spaces of absence in the contemporary performing arts

  • Smart Homes and Living Machines: Views from Performative Architecture

  • Contextual Choreography: A dance-mat workshop

  • Embodied experiments — Some technologies of the self in climate change

  • Assemblages of Excess, or, Towards a Paradigm of the Leak

  • Scenic Imagination – the actor/performer’s body as a scenic element

  • Improvising with Twigs and Cells: Paradox in Transversal Practices

  • Encountering Metal and Wood. The Double Bass as Collaborative and Resistive Actor in Musical Improvisation