A skilled actor in the naturalistic style (moving and behaving as ‘normal people’ do), can […]
Introduction
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Introduction
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Context
The dichotomy of acting training There is an old dichotomy about acting training. Gordon Craig […]
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The Author’s Experience of Movement-based Theatre
I started in 1964 as a trained teacher, interested in ballet, expressive dance and mime […]
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The Material for Teaching Movement-based Theatre
I group styles and exercises into three study levels with varied study topics. Structure: the […]
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Pedagogy of Movement-based Theatre
Intellectual and craft studies initiate new qualities of consciousness, minutiae of perception, ability to observe, […]
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Bibliography
Balakrishnan, B. 2008. Kalaripayattu, Poorna Publications, Calicut, India. Banu, Georges. 1993. L’acteur qui ne revient […]